Wired News spent some time with the foley artists for LucasArts’ games, who were working on sounds for Bounty Hunter. LucasArts’ Foley stage has a tiny room with resources for creating footsteps on different surfaces. Nearby Skywalker Sound has a more impressive studio with an assemblage of junk to recreate many sounds. Thomas Dolby Robertson’s “mini” car, which he left at Skywalker Sound after “Howard The Duck”, has been used to make every car noise there since 1985.